Atif aslam Interview in spotlight
Atif Aslam
In
a span of just four years, Atif Aslam has released three albums, won
countless awards and has developed a massive following in and outside
Pakistan. Its not exactly rags to riches and yet his success story
remains unique. In this interview with Mag4you.com, Atif Aslam reveals
all…
A star is born
"I always dreamed of being a rock star as a kid," says Atif smiling.
At the age of just 25, Atif Aslam is living his dream.
With
three albums to his credit, in a span of four years, the mess of a
break-up (with his former band Jal) behind him and a mass appeal that
extends all the way out to India and beyond, Atif Aslam's story is
truly unique.
He is sitting on a sofa in denims, a polo top and his guitar on his lap when we meet.
It's
a crisp Sunday afternoon and Atif has a hectic schedule ahead. He is
flying back to Lahore and is then heading for a massive US, UK and
Canada tour.
We meet the morning after the Atif Aslam
Lookalike-Singalike contest, where five men, who adore Atif, belt out
Atif ditties, imitating his antics, attempting to impersonate the man
himself. Atif came to the finale and picked the winner himself.
"It
was a little bizarre," admits Atif and continues, "but a good effort.
Some of those guys were confident, others had a decent voice but Gibran
matched my style more than the others so it had to be him."
As a
person, Atif is friendly, open and confident. What drives him is his
ambition to bowl out the world. He doesn't look at Asians as his target
market. The world is his stage and he is here to perform and entertain.
What sets him apart is his ability to mould himself, that elastic factor.
Whether
it is through lending his vocals to Indian films or dancing with
Aaminah Haq at the Lux Style Awards or going out all-rock on a single
like 'Hungami Halaat', Atif is willing to bend and break norms to make
his mark.
His latest is his new album, Meri Kahani.
A
sharp, conscious turn from his commercially hit album Doorie, and a
return to form, the kind one first witnessed on his debut record
Jalpari.
Meri Kahani sees Atif don the roles of singer,
songwriter and lyricist. But most importantly it sees the various
emotions of the man that is Atif Aslam. Not surprisingly, it is a mixed
bag. And even though Jalpari remains the best Atif Aslam record, Meri
Kahani shows off his skills as an artist and his will to experiment. To
make sure that it is his brand of music, Atif brought in Overload men
Farhad Humayoun, Shiraz Siddique and Mahmood Rahman to play on the
album.
"I did Doorie but afterwards I wanted to do my kind of
music. Meri Kahani is just that. It is an album that is filled with
personal reflections. I got Overload guys involved because I love their
music, especially the Pappu Saeen bit and it was fantastic working with
all of them," says Atif.
The record comes after Atif received
severe criticism for Doorie, the smash hit album that consolidated his
position firmly in India and Pakistan. At the same time, it brought out
criticism on the fact that the album was purely commercial and
Indianised.
But Atif has never shied away from criticism. His
defense has always been one, breaking into the Bollywood-friendly
Indian market.
"A commercial album has the power to hit the
masses. To me making commercial music is a bigger challenge than
anything else. If I'm singing songs that I don't really believe in and
are not challenging me as a musician and they become a hit, that to me
is an achievement," explains Atif.
Today Atif Aslam is more restrained and self-assured than he has ever been before.
But
this self-assurance has taken its time. Atif may have become a huge
star but his beginning was shaky and rather controversial.
There was the Jal-Atif controversy which aroused questions about his debut album and the well-known debacle of writing credits.
"That
wasn't the only thing. When I began, I wasn't accepted. Back when I was
starting out, Noori was huge. I went to Ali Noor and made him hear
'Aadat' and he thought it was crap. I was very discouraged. Gumby then
said to me that the song's good. I would go to channels and they would
be in a blackmailing mode. If one channel was airing a video, another
wouldn't," says Atif of his struggling days.
Atif Aslam has had no backing in the industry and neither did he have parents who were dishing out finance to record his album.
Coming from a middle-class background, Atif found his groove playing at colleges.
'Aadat'
first made buzz through the Internet. 'The video released and a star
was born. But no one could've predicted where this star would go.
Jal
broke up and Atif went solo. Jalpari was released and soon, Atif rolled
with the punches. He was destined for bigger things. Soon India came
calling. And from thereon, there has been no looking back for this
star.
Last
year Atif picked up Best Music Album for Doorie at the Lux Style
Awards. Among other countless awards that he has to his credit includes
the prestigious Tamgha-e-Imtiaz award from the government of Pakistan
for portraying a positive image of Pakistan abroad.
Pros and cons
Criticism
and stardom, it seems, go hand in hand. Where Atif was singing to
packed houses, in and outside Pakistan, there has also been some
criticism.
And that has been changing to fit the Bollywood mould.
Atif
has sung for a variety of films like Kalyug, Zeher, Bas Ek Pal and Race
but most of the films have been average projects (barring Race) and
Atif has been criticized for letting his own compositions go under the
knife of Indian music directors.
"There have been times when I
have sung tunes that I'm not too crazy about. Sometimes directors
listen to me and sometimes they simply say no to my ideas. Like Race
for instance. I never wanted to sing, 'Meri Bahon Mein Aa.. .'. I
wanted those words to be changed but I was told no. So I tried to sing
it a little differently. The reason I go for Bollywood projects is
simply because they help in capturing a wider audience," justifies
Atif.
While pure pop and rock loyalists have frowned upon Doorie, that album increased Atif's star power to a whole new level.
It was Indian actress Bipasha Basu who vouched for Atif when the star-studded Race was being made.
The
high profile film is one of the biggest grosser of this year, in and
outside India and featured huge stars like Saif Ali Khan, Anil Kapoor,
Bipasha Basu, Katrina Kaif, Akshaye Khanna and Sameera Reddy.
Atif's
single on the Race soundtrack, 'Pehli Nazar' has been a massive hit. A
little while later it turned out that the tune was a rip-off of a
Korean tune.
"I never knew that. I hope that such things don't
happen again," admits Atif. But despite the plagiarism bit, 'Pehli
Nazar' remains one of the biggest hits of 2008, right here and in India
as well.
The local scene
Right here at
home, Atif Aslam remains an unmatchable singer. His vocals have been
off-key many a times, but he has improved as a singer and a live act
tremendously. The experience of world tours has armed him with the
know-how of dealing with different kinds of crowds.
And he
maintains an image that stands out. Unlike many of his contemporaries,
Atif avoids stylists and lets his brother Shabaz Aslam manage his
wardrobe as well as career.
This team-up has also had its fair share of criticism.
"As
far as my image goes, I think Shabaz has done a great job. They were
some mistakes. He has made some blunders but now he knows exactly what
I want, what looks good so I'm pretty happy with that," Atif says of
his equation with his brother.
On the management front, Shabaz
Aslam suffers from a strange reputation. Industry insiders maintain
that he is harming Atif's career.
But Atif brushes these stories aside.
"He
has straightened out a lot of people. Shahbaz has created a market for
Atif. Making sure that I perform at Royal Albert hall in UK at such an
early stage of my career, shows in Norway and Belgium, that isn't an
easy task. He plays a bad guy but it doesn't mean he is. We always take
money in advance. I don't play for free. And I don't do favours. Why
should I charge any less? This is my money and Shabaz has made sure
that these rules get implemented and I'm not taken for a ride," Atif
sets the record straight.
This
attitude comes after seeing first hand an industry that is still
struggling despite growing in talent for more than a decade.
The local music industry still lacks a proper structure.
In
the last few years, as musicians have gained experience of playing
abroad and have understood the importance of doing decent live shows,
live concerts here have become scarce.
Barring acts like Atif
Aslam and Ali Azmat, both of whom do countless shows, more and more
musicians are shying away from doing shows here.
The reason: lack of proper sound management, engineers, lighting and investment by promoters.
"I
still try to do shows in Pakistan and not just the three main cities -
Karachi, Lahore and Islamabad but others as well. Recently I have
performed at Multan, Sialkot, Faisalabad and Sargodha. Nowadays schools
and colleges are also facing threats so they aren't doing many live
concerts.
The change we need is decent sound engineers,
lighting. If a show is sounding great on the ground, it shows sound
great on television as well. But it us who have to push for that
change. I really think it's a lame excuse to use for not doing shows.
Look at India, they have made films like Raja Hindustani but make a
film like Black today," says Atif emphatically.
His frequent visits to India have given him the knowledge to differentiate between the two industries.
While
they lack a pop industry, they have the infrastructure that has taken
its time to develop. Atif maintains that to overcome these issues, the
industry has to unite as a single force.
On a farewell note
"I
see myself as a spiritual person," says Atif. He doesn't exactly come
across as a spiritual person, in all honesty, but it is his personal
belief that is truly surprising.
"In this industry I don't
find time for myself and my god. The industry is bad, the people part
and the business part. It is seductive and completely attractive but I
fight that part. I don't fear losing the success and the money that
comes with being a star. What I do fear is losing my originality," Atif
reveals in a moment of vulnerability.
Rumour mills about Atif
have been forever going on. His rise to super stardom has resulted in
rivalries that go beyond professionalism.
"I
know people who are threatened by me. I know who they are and I have
heard and seen them b*tch me out. But it doesn't frighten me. It makes
me happy because it is a telling sign of my own significance within
this industry," explains Atif.
Some might even take this
attitude as smugness but to Atif, it is his way of survival. Pop
stardom can be fickle and Atif understands it well.
It remains
unclear what Atif will do next but with his passion and thrust to
continue conquering hearts and minds, it is clear that for Atif, the
journey has just begun.
Atif Aslam
In
a span of just four years, Atif Aslam has released three albums, won
countless awards and has developed a massive following in and outside
Pakistan. Its not exactly rags to riches and yet his success story
remains unique. In this interview with Mag4you.com, Atif Aslam reveals
all…
A star is born
"I always dreamed of being a rock star as a kid," says Atif smiling.
At the age of just 25, Atif Aslam is living his dream.
With
three albums to his credit, in a span of four years, the mess of a
break-up (with his former band Jal) behind him and a mass appeal that
extends all the way out to India and beyond, Atif Aslam's story is
truly unique.
He is sitting on a sofa in denims, a polo top and his guitar on his lap when we meet.
It's
a crisp Sunday afternoon and Atif has a hectic schedule ahead. He is
flying back to Lahore and is then heading for a massive US, UK and
Canada tour.
We meet the morning after the Atif Aslam
Lookalike-Singalike contest, where five men, who adore Atif, belt out
Atif ditties, imitating his antics, attempting to impersonate the man
himself. Atif came to the finale and picked the winner himself.
"It
was a little bizarre," admits Atif and continues, "but a good effort.
Some of those guys were confident, others had a decent voice but Gibran
matched my style more than the others so it had to be him."
As a
person, Atif is friendly, open and confident. What drives him is his
ambition to bowl out the world. He doesn't look at Asians as his target
market. The world is his stage and he is here to perform and entertain.
What sets him apart is his ability to mould himself, that elastic factor.
Whether
it is through lending his vocals to Indian films or dancing with
Aaminah Haq at the Lux Style Awards or going out all-rock on a single
like 'Hungami Halaat', Atif is willing to bend and break norms to make
his mark.
His latest is his new album, Meri Kahani.
A
sharp, conscious turn from his commercially hit album Doorie, and a
return to form, the kind one first witnessed on his debut record
Jalpari.
Meri Kahani sees Atif don the roles of singer,
songwriter and lyricist. But most importantly it sees the various
emotions of the man that is Atif Aslam. Not surprisingly, it is a mixed
bag. And even though Jalpari remains the best Atif Aslam record, Meri
Kahani shows off his skills as an artist and his will to experiment. To
make sure that it is his brand of music, Atif brought in Overload men
Farhad Humayoun, Shiraz Siddique and Mahmood Rahman to play on the
album.
"I did Doorie but afterwards I wanted to do my kind of
music. Meri Kahani is just that. It is an album that is filled with
personal reflections. I got Overload guys involved because I love their
music, especially the Pappu Saeen bit and it was fantastic working with
all of them," says Atif.
The record comes after Atif received
severe criticism for Doorie, the smash hit album that consolidated his
position firmly in India and Pakistan. At the same time, it brought out
criticism on the fact that the album was purely commercial and
Indianised.
But Atif has never shied away from criticism. His
defense has always been one, breaking into the Bollywood-friendly
Indian market.
"A commercial album has the power to hit the
masses. To me making commercial music is a bigger challenge than
anything else. If I'm singing songs that I don't really believe in and
are not challenging me as a musician and they become a hit, that to me
is an achievement," explains Atif.
Today Atif Aslam is more restrained and self-assured than he has ever been before.
But
this self-assurance has taken its time. Atif may have become a huge
star but his beginning was shaky and rather controversial.
There was the Jal-Atif controversy which aroused questions about his debut album and the well-known debacle of writing credits.
"That
wasn't the only thing. When I began, I wasn't accepted. Back when I was
starting out, Noori was huge. I went to Ali Noor and made him hear
'Aadat' and he thought it was crap. I was very discouraged. Gumby then
said to me that the song's good. I would go to channels and they would
be in a blackmailing mode. If one channel was airing a video, another
wouldn't," says Atif of his struggling days.
Atif Aslam has had no backing in the industry and neither did he have parents who were dishing out finance to record his album.
Coming from a middle-class background, Atif found his groove playing at colleges.
'Aadat'
first made buzz through the Internet. 'The video released and a star
was born. But no one could've predicted where this star would go.
Jal
broke up and Atif went solo. Jalpari was released and soon, Atif rolled
with the punches. He was destined for bigger things. Soon India came
calling. And from thereon, there has been no looking back for this
star.
Last
year Atif picked up Best Music Album for Doorie at the Lux Style
Awards. Among other countless awards that he has to his credit includes
the prestigious Tamgha-e-Imtiaz award from the government of Pakistan
for portraying a positive image of Pakistan abroad.
Pros and cons
Criticism
and stardom, it seems, go hand in hand. Where Atif was singing to
packed houses, in and outside Pakistan, there has also been some
criticism.
And that has been changing to fit the Bollywood mould.
Atif
has sung for a variety of films like Kalyug, Zeher, Bas Ek Pal and Race
but most of the films have been average projects (barring Race) and
Atif has been criticized for letting his own compositions go under the
knife of Indian music directors.
"There have been times when I
have sung tunes that I'm not too crazy about. Sometimes directors
listen to me and sometimes they simply say no to my ideas. Like Race
for instance. I never wanted to sing, 'Meri Bahon Mein Aa.. .'. I
wanted those words to be changed but I was told no. So I tried to sing
it a little differently. The reason I go for Bollywood projects is
simply because they help in capturing a wider audience," justifies
Atif.
While pure pop and rock loyalists have frowned upon Doorie, that album increased Atif's star power to a whole new level.
It was Indian actress Bipasha Basu who vouched for Atif when the star-studded Race was being made.
The
high profile film is one of the biggest grosser of this year, in and
outside India and featured huge stars like Saif Ali Khan, Anil Kapoor,
Bipasha Basu, Katrina Kaif, Akshaye Khanna and Sameera Reddy.
Atif's
single on the Race soundtrack, 'Pehli Nazar' has been a massive hit. A
little while later it turned out that the tune was a rip-off of a
Korean tune.
"I never knew that. I hope that such things don't
happen again," admits Atif. But despite the plagiarism bit, 'Pehli
Nazar' remains one of the biggest hits of 2008, right here and in India
as well.
The local scene
Right here at
home, Atif Aslam remains an unmatchable singer. His vocals have been
off-key many a times, but he has improved as a singer and a live act
tremendously. The experience of world tours has armed him with the
know-how of dealing with different kinds of crowds.
And he
maintains an image that stands out. Unlike many of his contemporaries,
Atif avoids stylists and lets his brother Shabaz Aslam manage his
wardrobe as well as career.
This team-up has also had its fair share of criticism.
"As
far as my image goes, I think Shabaz has done a great job. They were
some mistakes. He has made some blunders but now he knows exactly what
I want, what looks good so I'm pretty happy with that," Atif says of
his equation with his brother.
On the management front, Shabaz
Aslam suffers from a strange reputation. Industry insiders maintain
that he is harming Atif's career.
But Atif brushes these stories aside.
"He
has straightened out a lot of people. Shahbaz has created a market for
Atif. Making sure that I perform at Royal Albert hall in UK at such an
early stage of my career, shows in Norway and Belgium, that isn't an
easy task. He plays a bad guy but it doesn't mean he is. We always take
money in advance. I don't play for free. And I don't do favours. Why
should I charge any less? This is my money and Shabaz has made sure
that these rules get implemented and I'm not taken for a ride," Atif
sets the record straight.
This
attitude comes after seeing first hand an industry that is still
struggling despite growing in talent for more than a decade.
The local music industry still lacks a proper structure.
In
the last few years, as musicians have gained experience of playing
abroad and have understood the importance of doing decent live shows,
live concerts here have become scarce.
Barring acts like Atif
Aslam and Ali Azmat, both of whom do countless shows, more and more
musicians are shying away from doing shows here.
The reason: lack of proper sound management, engineers, lighting and investment by promoters.
"I
still try to do shows in Pakistan and not just the three main cities -
Karachi, Lahore and Islamabad but others as well. Recently I have
performed at Multan, Sialkot, Faisalabad and Sargodha. Nowadays schools
and colleges are also facing threats so they aren't doing many live
concerts.
The change we need is decent sound engineers,
lighting. If a show is sounding great on the ground, it shows sound
great on television as well. But it us who have to push for that
change. I really think it's a lame excuse to use for not doing shows.
Look at India, they have made films like Raja Hindustani but make a
film like Black today," says Atif emphatically.
His frequent visits to India have given him the knowledge to differentiate between the two industries.
While
they lack a pop industry, they have the infrastructure that has taken
its time to develop. Atif maintains that to overcome these issues, the
industry has to unite as a single force.
On a farewell note
"I
see myself as a spiritual person," says Atif. He doesn't exactly come
across as a spiritual person, in all honesty, but it is his personal
belief that is truly surprising.
"In this industry I don't
find time for myself and my god. The industry is bad, the people part
and the business part. It is seductive and completely attractive but I
fight that part. I don't fear losing the success and the money that
comes with being a star. What I do fear is losing my originality," Atif
reveals in a moment of vulnerability.
Rumour mills about Atif
have been forever going on. His rise to super stardom has resulted in
rivalries that go beyond professionalism.
"I
know people who are threatened by me. I know who they are and I have
heard and seen them b*tch me out. But it doesn't frighten me. It makes
me happy because it is a telling sign of my own significance within
this industry," explains Atif.
Some might even take this
attitude as smugness but to Atif, it is his way of survival. Pop
stardom can be fickle and Atif understands it well.
It remains
unclear what Atif will do next but with his passion and thrust to
continue conquering hearts and minds, it is clear that for Atif, the
journey has just begun.
